New software helps detect adaptive genetic mutations

Brown University researchers have developed a new machine learning technique that can track down beneficial mutations in population genetic datasets.

PROVIDENCE, R.I. [Brown University] — Researchers from Brown University have developed a new method for sifting through genomic data in search of genetic variants that have helped populations adapt to their environments. The technique, dubbed SWIF(r), could be helpful in piecing together the evolutionary history of people around the world, and in shedding light on the evolutionary roots of certain diseases and medical conditions.

SWIF(r) brings several different statistical tests together into a single machine-learning framework. That framework can then be used to scan genomic data from multiple individuals and compute the probabilities that individual mutations or regions of a genome are adaptive.

“These individual statistical techniques are useful, but none of them is particularly powerful on its own,” said Lauren Alpert Sugden, a postdoctoral researcher at Brown who led the technique’s development. “The method we’ve developed combines those techniques in a way that’s careful and that produces an output that’s easy to interpret.”

Alpert Sugden works in the lab of Sohini Ramachandran, an associate professor and director of Brown’s Center for Computational Molecular Biology. The researchers describe their work in the journal Nature Communications.

Exploring adaptation

The vast majority of mutations that commonly occur in the genomes of humans and other animals are neutral, meaning they neither help nor hurt an individual’s survival. But every once in a while nature hits on a mutation that’s beneficial — one that aids in an organism’s survival or reproductive success. These adaptive mutations can spread quickly (evolutionarily speaking) through a population in subsequent generations, a process known as a selective sweep.

SWIF(r) looks for the statistical signatures of selective sweeps in genomic datasets. It does so using machine learning and a combination of four established statistical tests measuring different signatures of adaptation. One test checks if a particular mutation appears in a population more frequently than it does in other populations. Others measure genetic variation in a region of the genome, with the idea that strong selection would tend to reduce variability.

This isn’t the first technique that brings multiple tests into one composite framework. But part of what’s new about SWIF(r) is that it controls for correlations that arise between those tests, which can throw off the results. The acronym SWIF(r) stands for “SWeep Inference Framework (controlling for correlation),” a lowercase “r” being the mathematical notation for correlation.

SWIF(r) has several advantages over other composite techniques, the researchers say. While most techniques identify only regions of the genome likely to contain adaptive mutations, SWIF(r) can also identify the particular mutations themselves. And while other techniques return results that can be difficult to interpret, SWIF(r) returns a simple probability that an individual mutation or genome region is adaptive.

To show that the technique works, the researchers validated it on a simulated dataset in which known adaptive mutations were included, as well as on canonical adaptive mutations that have been identified in human genomes through multiple molecular experiments. SWIF(r) was shown to outperform both individual statistical techniques and other composite techniques in picking out those adaptive mutations, while producing a lower rate of false positives.

Real-world data

Having demonstrated that SWIF(r) works, the researchers used it on a real genomic data from the ‡Khomani San, a group of hunter-gatherers living in southern Africa.

“The ‡Khomani San have the largest genetic diversity of any living population,” Alpert Sugden said, “which is interesting from our perspective because there’s a lot of opportunity for adaptive mutations to arise.”

Among other findings, SWIF(r) identified several adaptive mutations in a set of genes responsible for energy and fat storage. That’s interesting from the perspective of what’s known as the “thrifty gene” hypothesis, the researchers say.

The hypothesis suggests that because hunter-gatherers often experience an inconsistent food supply, they’re likely to have a genetic predisposition to storing energy in the form of fat. However, those genes could be a liability in agricultural societies where food supply tends to be more consistent, potentially contributing to obesity and complications like type 2 diabetes. A deeper dive into the functions of the adaptive genes identified by SWIF(r) may be helpful in further exploring the thrifty gene idea.

Ramachandran says the way in which they used SWIF(r) on the ‡Khomani San data is instructive for how the technique might be used moving forward. The researchers say they didn’t start with the notion that they’d find adaptations in genes for metabolism, they simply popped out of the data as it was analyzed. That’s a contrast to how such research is currently done, Ramachandran says.

“They way we study genetic adaptation now is we start by looking at a particular trait or phenotype, and then we work backward to identify the associated genes and mutations,” she said. “This new approach uses data-driven machine learning to start in the genome, searching for adaptive signatures that we can then follow up with more study. So we think this is a way of generating new and interesting hypotheses to test.”

The researchers have made the SWIF(r) code open-source, and they hope that other research groups will use it to explore genomic data from populations worldwide.

This article was published on Brown University’s News website. Click here to read more

RISD Museum exhibit engages community

Hanging above Bolt Coffee at the Rhode Island School of Design Museum is Pedro Reyes’ flag “Hands On With A Vision,” the latest installment in “Pledges of Allegiance,” a nationwide art project put on by the New York-based public arts nonprofit Creative Time.

With each opening of the cafe’s heavy doors, the sky-blue flag ripples slightly, revealing more of the image obscured by its folds. The flag’s graphic plays on the recognizable flag of the United Nations, which depicts a similar white emblem centered on a blue background. The emblem on Reyes’ flag reinterprets the UN symbol: An open eye sits in the palm of a hand and is layered in front of a globe that is dissected by longitudinal and latitudinal lines. The flag represents “The People’s United Nations” — “pUN” — which the flag’s placard describes as “an experimental conference developed by the artist” that has brought together individuals from over 160 countries at three meetings.

On the placard, Reyes writes: “This right palm with an eye at the center … has been a symbol of protection across cultures and millennia,” adding that the hand, which is open in salutation, “placed over an orb is meant to signal our mission to protect the planet.”

Reyes’ work is the eighth installment of a collaborative compilation of 16 flags, which will be on display at museums nationwide through July 31. Other featured artists include Alex Da Corte, Tania Bruguera and Jeremy Deller. The first flag shown at the RISD Museum “Untitled (Dividing Time)” was also displayed at nine other locations across the nation from Sept. 13 through Oct. 11 last year. The number of museums, galleries and institutions hosting installments of the series has increased each month as participants are continuously added to host pieces of the rotating series. In addition to the RISD Museum, California College of the Arts, Texas State Galleries and the Herbert F. Johnson Museum of Art at Cornell will also display the flags.

On its website, Creative Time states that, in response to the current political climate, the exhibition’s goal is “to inspire a sense of community among cultural institutions, and begin articulating the urgent response our political moment demands.”

“We … thought that this would really be a great way for us to … have a project that kept pace with changing times,” said Dominic Molon, the Richard Brown Baker curator of contemporary art at the RISD Museum. “Pledges of Allegiance” is dynamic in nature, which Molon sees as “something that would … demonstrate how the museum was wanting to engage with the present moment and with the future.”

According to Molon, “Imagine Peace,” the flag by Yoko Ono, was one of the most well received at the RISD Museum. On the flag, bold type reads, “THINK PEACE ACT PEACE SPREAD PEACE IMAGINE PEACE,” against a white backdrop. In the background of a video accompanying “Imagine Peace” on Creative Time’s website, echoing voices recite statements describing their definition of peace. For one speaker, “peace is understanding someone else’s point of view,” while for another, “peace is like a puddle of puppies … or sleeping on a marshmallow.”

Molon considers the museum a place where community members can find “some kind of reflection of what’s going on out there in the world.” “Pledges of Allegiance,” its changing nature and the artists’ messages demonstrate this concept. “Hands On With A Vision” will be on display at the RISD Museum until Feb. 14, while the entire exhibition, “Pledges of Allegiance,” will continue to show through July 31.

This article was published in The Brown Daily Herald on February 1, 2018. Click here to read more

Wonderland of Warp, Weft + Work

The D train was sweltering in early July as I traveled past 22 subway stops on my way to the Brooklyn studio of contemporary textiles artist Liz Collins91 TX/MFA 99. Looking around the D, I noticed that everyone seemed to be wearing elaborate prints, Doc Martens and/or visible paint stains. It was the first day of my nine-week summer internship and I was nervous, anxious and excited.

Not surprisingly, the other arty types and I all got off at the same stop and headed toward a trendy-looking block of buildings and restaurants. My enthusiasm for the internship only increased when I saw that one of Liz’s pieces adorns the main walkway of the subway station.

Studio manager and fellow RISD grad Zev Schwartz 12 AP greeted me at the door to the large studio, which is clearly Liz’s space: a well-organized wonderland of colorful yarns, knitted fabrics and wacky furniture. I immediately recognized her signature use of bright colors and sharp lines and peered around the room, finding samples of her WW3 (Warp Weft 3) series, which I would later get the opportunity to work on.

Liz primarily hired me to assist with a new installation that opened on September 27 at the New Museum in Manhattan as part of Trigger: Gender as a Tool and a Weapon. My first task involved sourcing materials. I was on the hunt for mesh fencing, a quest that led me through the Park Slope and Sunset Park neighborhoods of Brooklyn, where I encountered an eccentric hardware store owner and a talkative bus driver who complained bitterly about the city’s increasing traffic problems.

I was happy to collaborate with Liz, but was also excited that my friend Felix Beaudry 18 TX landed a summer internship at the studio, too. We were both psyched to brainstorm ideas for the New Museum show.

Later that week Liz assigned me exactly the kind of work I had hoped I’d be doing. Once she explained that she wanted to use stills from the weird 1982 film classic Liquid Sky to create a carpet for the exhibition, I spent weeks piecing together images in Photoshop and was happy to apply the skills I learned in my CAD in Textiles class last spring. We worked with an industrial carpet producer to finalize the design and select just the right swatches to match the film’s color palette.

Another highlight of the internship was going to the New Museum with Liz to mock up her plan for the installation. After seeing countless museum exhibitions where the designs seem so self-evident, it was great to get a behind-the-scenes look at the planning process and to be included in conversations about the overall cohesiveness of the show and what was working and what wasn’t.

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Providence College celebrates close of record $185 million fundraising campaign

Providence College celebrated the close of its record-breaking fundraising campaign, Our Moment: The Next Century Campaign for Providence College, during St. Dominic Weekend, Sept. 15-16.

The most successful campaign in College history raised $185 million, shattering the target of $140 million announced at its public launch in October 2014. It featured gifts from more than 35,500 donors, including alumni, parents, faculty, staff, corporations, and foundations. Forty-two percent of the College’s 56,000 alumni made a gift during the campaign, and 41 donors made commitments of $1 million or more.

The seven-year Our Moment campaign transformed campus, enabling the construction of the Ruane Center for the Humanities, the Arthur F. and Patricia Ryan Center for Business Studies, the Ray Treacy Track and Field, and Chapey Field at Anderson Stadium. It established five endowed professorships and three endowed lectureships. The amount of financial aid and scholarships awarded to students increased by 45 percent, to more than $70 million annually, and 120 endowed scholarships were created.

Gifts to the campaign enhanced research and study abroad opportunities, bolstered the implementation of a new core curriculum, and supported diversity initiatives and new programs, such as The Humanities Forum.

The successful close was announced at a celebration on Saturday night in the Peterson Recreation Center that drew alumni, trustees, students, administrators, faculty, and staff. St. Dominic Weekend is an annual event during which the College thanks its most generous benefactors.

At the event, College President Rev. Brian J. Shanley, O.P. ’80 said visitors frequently tell him, “I can’t believe what you have done” in transforming the campus. But most significant, Father Shanley said, is the campaign’s impact on students.

“For me, the most important part of this campaign is that we’ve been able to increase financial need-based aid to our students as a result of philanthropy,” Father Shanley said. “I love our buildings, but I’m more interested in investing in our students, who can be transformed in their hearts, souls, and minds in beautiful academic spaces.”

The campaign also made possible the replacement of Huxley Avenue, a city street that bisected campus, with a landscaped walkway and a new entrance off Admiral Street. A softball field was built, and Schneider Arena and Mullaney Gym in Alumni Hall were renovated.

Ongoing projects include an expansion and renovation of the Science Complex and the multiphase construction of the Ruane Friar Development Center, which will include a basketball practice facility, a new Center for Career Education & Professional Development, and an expanded and a renovated Slavin Center ’64 Hall.

“Providence College is at an incredible point in our history,” said Gregory T. Waldron, senior vice president for institutional advancement. “We are experiencing unprecedented momentum academically, athletically, and with admissions. The philanthropic support of the Friar faithful has been critical to our success thus far and will be just as critical to our future success.”

At the campaign celebration, Adam Hanna ’18 (Lakeville, Mass.), a singer and songwriter, played and sang a ballad, “100 Years,” that he composed for the occasion.

“This is in honor of the last 100 years, it’s looking forward to the next 100, and it’s knowing that in some way, we’re all a part of both,” said Hanna.

“One hundred years ago, no one we know was here,” Hanna sang. “Poor people, of simple means, 100 years ago, accomplished things they never could have dreamed. … Time is a tiny plot of land we worked so hard to clear. We have a lease that says 100 years.”